Let the World Know:
Make Your Cause News
A Beginner's Guide to Getting Media Coverage
By Jason Salzman
Flip through the news and you probably won't see or hear much
about nonprofit organizations and activists. Why? Part of the
answer is as simple as it is ironic: Most activists are too busy
saving the world to tell journalists about it.
Nonprofit staffers are overloaded with--as one senior manager
put it--the "real" work: volunteer recruitment, program
operations and development, fundraising, lobbying, and so on.
When it's time to prioritize scarce resources at nonprofit organizations,
getting media coverage doesn't make the cut.
Unfortunately, this put-the-media-on-the-back-burner attitude
leaves activists struggling to stay afloat in the dim light of
obscurity and wondering why more people don't value their work.
Even worse, it means they don't reap all the benefits that media
attention can bring to the "real" work of nonprofit
organizations (e.g., more money, more volunteers, easier staff
recruitment, political victories, and so on).
But there's good news: It's easy to get a media program started
at your organization, even if you've never done it before. Just
make a long-term commitment to getting the word out and invest
the time required to get the job done. Here's how you can begin:
Step One -- Observe what's newsworthy
Activists are often the types of people who hate the mainstream
media, preferring the sanity of public radio or the soothing
books of Noam Chomsky. If you're this type of person, get over
it.
To understand what's newsworthy, you have to consume as much
news as possible, including local TV news, talk radio, newspapers
of all types, and more. Take in as much as you can, wherever
you go. Over time, you will begin to recognize the kinds of stories
that appear in, say, the business section of the newspaper or
a particular daytime talk radio show. With this knowledge, it
will be easier for you to "package" stories about your
organization for specific media outlets whose audiences you want
to reach.
You will notice that, in general, news stories have one or
more of the following characteristics: conflict, novelty, simplicity,
shock, kids, celebrity involvement, action, strong imagery (usually
outdoors), local impact, humor or cutsiness, and irony.
Step Two -- Learn how to "pitch" stories to journalists
When you identify a newsworthy story about your organization,
you need to tell journalists about it. The most common way to
do this is by phone. (A "press conference," where journalists
gather to hear an announcement from a newsmaker, is seldom justified
for a nonprofit organization.) If you're persistent, you can
reach almost any journalist--at local or national news outlets--on
the phone.
"Once you have a conversation, you've started a relationship,"
says John Allison, Op-ed Editor for the Pittsburgh Post-Gazette.
"Once you've had a conversation with someone, the story
becomes a bit more real."
The best time to call is early in the day and early in the
week, but the reality is that journalists are--more often than
not--extremely busy all the time, facing new deadlines every
day.
"We're in an impatient business," said Porus Cooper,
Assistant New Jersey Editor for the Philadelphia Enquirer. "We
get lots of phone calls. In fact, there's a call pending right
now as I'm speaking to you. I'm going to put you on hold. Hang
on....To get the attention of a media person, you need to get
to the news aspect fairly quickly."
It's up to you to respect journalists' time crunch and "pitch"
your story to them as quickly as possible. Practice your "pitch"
repeatedly before picking up the phone, making sure that you've
got the strongest, most concise reasons why your story merits
news coverage. Also, prior to calling, you should fax or mail
journalists about two pages of written background material.
Here's a sample "pitch:"
You: Hello, I'm with a national organization called Earth
Force that's initiating a new program in Denver. Do you have
a minute or two to hear about it?
Reporter: Okay, go ahead.
You: Surveys show that young people want to do something to
protect the environment. But, the problem is, kids don't know
what to do. Earth Force has developed a pilot program to help
get kids involved--and Denver is one of only four cities across
the country to test it. If the program is successful in Denver
and the other pilot cities, it could spread across the country.
Here's how it works: With the help of their teachers, the kids
survey their communities for environmental problems--they actually
take a walk around the neighborhood and look for environmental
problems. Then they choose a specific problem to address, research
it, and implement plans to solve it--for the long term.
Reporter: Yup.
You: Here in the metro area, we've teamed with educators in
15 schools from Boulder to Commerce City to Denver.
For example, in Commerce City at Adams City Middle School,
students looked around their community and decided to address
drainage, litter, and recreational deficiencies at a nearby park.
At Place Middle School in Denver, students have a plan in place
to erect environmental signs along a stretch of Cherry Creek
near the school. At Cole Middle School in Denver, the kids will
be surveying the Cole neighborhood Tuesday.
Earth Force--funded in part by the Pew Charitable Trusts--creates
a structure to direct young people's concern about the environment
into productive projects in the community.
Does this sound like a story that might interest you? If not,
can you suggest someone else I should speak with?
Reporter: This sounds interesting to me. Do you have written
information about this?
You: Sure. Yes, I'll send you a packet of background information
and a list of teachers involved.
Reporter: Thank you.
If you're calling more than a couple journalists about a news
story, you should prepare a "news release," which is
a one-page explanation of your "news," prepared specifically
for journalists. News releases are written like news in the newspaper
or on TV, with short paragraphs and quotations.
Most of the time that you dedicate to writing a news release
should be spent on the headline and first paragraph. The heart
of your story--as well as any visual imagery for television--should
be described in the headline. If appropriate, be creative and
try to grab your readers. Always print a news release on your
organization's letterhead.
"One page is more than enough," says Porus Cooper
at the Philadelphia Inquirer. "Give me the news right away.
Give me the headline."
Here's a sample news release:
FOR IMMEDIATE RELEASE April 1
Contact: Jason Salzman
303-292-1524
Book Explains How Nonprofit Groups Can Get Media Attention
Author: Nonprofits Aren't Boring and Don't Have to Be Invisible
Is your pet issue or cause absent from the news? Well, stop
complaining about the media and do something about it.
That's the gist of a new handbook written for citizens who
want to shine the media spotlight on a cause or important issue.
Based on interviews with working journalists across the country,
Making the News: A Guide for Nonprofits and Activists covers
everything you need to know to get the word out.
The 300-page book contains concise information on how to contact
reporters, create newsworthy imagery, book a guest on talk radio,
write effective news releases, compile media lists, be a master
interviewee, publish op-ed columns and letters-to-the-editor,
pitch feature stories, lobby editorial writers, columnists, photographers,
and much more. It also lists tips on how to develop credibility
among journalists, respond to reporters in a crisis, and create
a media strategy.
"Nonprofit organizations and activists can get more media
attention by improving their media skills," says Jason Salzman,
author of Making the News. "They need to offer journalists
quality information--in the right packaging at the right time.
Nonprofits aren't boring, and they don't have to be left out
of the news."
Making the News was just published by Westview Press. It retails
for $19.95. Check your bookstore or order directly by calling
1-800-386-5656.
"This book should be in the hands of every community
group that wants to make a difference." -- Michael Moore,
filmmaker and author of Downsize This.
"A truly essential guide to making the most of organizing
through the media. Every organization should have this in its
tool kit." Harvey Wasserman, Greenpeace.
Here is another sample news release:
Contact: Paul Klite For Immediate Release
303-832-7558 Monday, February 16
Group Challenges Licenses of Denver TV Stations
Television News Harming Citizens
Denver, February 16 (RMMW) -- Rocky Mountain Media Watch called
on the Federal Communications Commission today to revoke the
licenses of four Denver TV stations, claiming they are broadcasting
local news programs harmful to citizens. RMMW asks the FCC, pursuant
to its legal charge to regulate broadcasting "in the public
interest," to protect the people.
The Petitions to Deny, based on a series of content analyses
of local television news conducted by RMMW from 1994 to 1997,
document that local newscasts on KWGN-TV, Channel 2, KCNC-TV,
Channel 4, KMGH-TV, Channel 7, and KUSA-TV, Channel 9, are severely
unbalanced, with excessive reporting of violent topics and trivial
stories.
"We're fighting the onslaught of tabloid journalism,"
said Paul Klite, RMMW Executive Director. "Night after night
audiences are terrified and titillated, aroused and manipulated,
but not informed. Like an unbalanced diet, which gradually can
lead to serious illness, the local TV news threatens the health
of our community."
RMMW asks the FCC to require stations to improve their newscasts
and to (1) air public service announcements alerting the public
to TV news' potentially harmful side-effects, (2) broadcast educational
media literacy programs in prime time for both children and adults,
(3) require stations to develop a plan, and make it public, for
improving their coverage of local elections.
"Distorted TV news has serious side-effects, like viewer
alienation, cynicism, racial polarization, violent behavior including
copy-cat crimes, intimidation, passivity, ignorance, and disempowerment,"
said Klite. "Together these constitute a toxic stew of negative
influences in our community."
Rocky Mountain Media Watch is a Denver-based nonprofit organization
founded in 1994 to challenge the news media, particularly local
TV news, to resist tabloid coverage and air stories that inform
citizens It's publications, including Baaad News: Local TV News
in America, have received national acclaim.
The complete Petitions are on RMMW's web site: http://www.bigmedia.org/
Follow-up call
You could have the country's best event, the planet's best
news release, the universe's most up-to-date media list, and
be blessed in heaven--and all of it may not matter unless you
make follow-up calls to make sure journalists know about your
event.
Faxing, mailing, or e-mailing a release to a reporter does
not guarantee that he or she will see it. Mail gets lost, chewed,
ignored, or buried. At some outlets, the faxes pile up into oblivion
unless a journalist makes a special effort to retrieve one.
"A follow-up call can make the difference in getting
on the air," says Leonard Nelson, producer of KNBR radio's
morning show in San Francisco. "If you're persistent, you
stand a better chance." Few journalists have layers of secretaries.
You can get through. Keep trying. Before you call, practice your
lines.
Here is a sample follow-up call for a TV assignment editor
or TV reporter
YOU Hello, I'm calling from People for a Liveable Downtown
to make sure you received our news release about our plans to
release giant balloons to show how ugly the new skyscraper will
look downtown. Five neighborhood groups are opposing construction
of the building.
ASSIGNMENT EDITOR Let me check.... I don't see it.
YOU We're releasing the balloons tomorrow to dramatize how
massive the new skyscraper will be. I'll fax the release again
right now.
ASSIGNMENT EDITOR Thank you.
Comment: At least half the time, reporters will not
be able to locate your faxed news release when you call. You
should immediately fax it again and call again immediately after
sending it to make sure it was received the second time.
Step 3: Become a Master Interviewee
The key to successful interviews with journalists is to keep
it simple and interesting. In most interviews, you should stick
to one or two central messages, drawing on a couple supporting
points for each message. You should repeat your messages for
emphasis.
You should also develop a soundbite or two to communicate
your simple messages. Soundbites are the type of speech commonly
found in the news, especially TV news. They are defined by how
long they take to deliver (five to 12 seconds) and the style
of language the contain (action verbs).
An effective way to write a soundbite is to begin with the
phrase, "I'm here today...." (e.g., "Save Our
Cities is here today to show that citizens care about preserving
historic buildings across the state.") Often the most quotable
soundbites are linked to imagery. For example, activists in New
Mexico donned large Pinocchio noses to illustrate their opinion
that officials were stretching the truth about the safety of
a nuclear waste dump. Their soundbite: "The truth about
the governor's position is as plain as the nose on my face."
Tips to Be a Master Interviewee
- Practice answering questions in advance. (Have your friend
pretent he's a mini-Sam Donaldson.)
- Speak slowly and give brief answers to questions.
- Pretend you're Henry David Thoreau: Simplify, simplify, simplify.
- Tell a reporter what you think is the most important point
you've made.
- Develop different styles of communicating for print, TV,
and radio reporters.
- Realize that it's okay to be nervous; anxiety can actually
add vigor and clarity to your thoughts--and, besides, everybody
gets nervous.
- Refer to concrete examples, personal experience, and clear
images.
- Remember that reporters want stories, as well as data.
- For television, look at the reporter or camera operator--not
directly into camera.
- Warm up your voice before your interview. (Sing to your dog
or something.)
- Never assume journalists agree with you though they will
often act as if they do.
- Eliminate insider jargon and acronyms from your speech.
- Never say "no comment;" if you cannot talk about
a topic, explain why.
- If you don't want to answer a hypothetical question, simply
say so.
- Suggest questions that reporters should ask of your opponents
or critics.
- If you don't have an answer to a question, say so and try
to track down an answer later.
- Don't worry about being a "media personality."
Be yourself.
Step 4: Create a media strategy for your organization
With today's intense analyses of "spin," leaks,
and power news conferences, it's no wonder many people are daunted
when they think of developing a media strategy. But for nonprofits,
creating a media strategy isn't hard. You just have to take time
to plan the purpose and timing of your efforts to make news.
If it contains nothing else, your media plan should state
why you want media coverage. Once you've got a clear answer,
you should identify the audience you want to reach and when you
want to reach it. Then you should list media outlets that will
reach your audience. Your final task in developing your media
strategy is to figure out how to convince your target media outlets
to cover you at a time that makes strategic sense for you.
For example, if you want media coverage to educate teenagers
about the benefits of birth control, you won't want to focus
on getting covered by local TV news. Teenagers don't watch it!
Instead, you'd want to devise a media strategy focusing on pop
radio or teen magazines--news outlets that reach your target
audience (teenagers).
If you want to link your coverage to a lobbying campaign in
the state legislature to pass a bill for the free distribution
of condoms in public high schools, you'd aim for news coverage
to appear at a strategic time as the bill is being considered.
(You might even want to target media outlets that will reach
the districts of swing voters in the Legislature.)
Your media strategy should be part of another, longer organizational
document: your strategic communications plan. This should explain
how you want your organization and your issue to be perceived
by your community in the long-term. It should explain how all
your organization's communications efforts--from lectures and
newsletters to op-eds and annual reports--advance the long-term
goals of your organization. Your strategic communications plan
should explain how your entire public profile fits together to
present your issues and organization to citizens.
Step 5: Compile a media list
The best way to begin to put together a media list is to call
groups in your community that work on a similar cause and ask
for their lists. Or call your state-wide association of nonprofit
organizations, if your state has one. You can take what they've
done and build on it; any media list can be improved. If you
can't get help from a like-minded organization, check the library.
Lots of reference books are available.
The more information your media list contains, the better
off your organization will be--especially in the long-run when
staff leave, taking everything that's hasn't been entered into
the data base with them. So, while you can get by with a local
list of about 12 major media outlets, names of a contact at each,
and his or her phone and fax number, you should aim higher.
Create an exhaustive list that includes all the news outlets
in your area, including all neighborhood publications, and even
newsletters of community groups. For each, try to include: the
name of the outlet, multiple contacts at each, phone and fax
numbers, the street and e-mail address, call letters, channel,
format (live, taped, talk show, etc.), deadlines, relevant comments,
and a detailed history of interactions with your organization.
Below are four major types of news outlets and whom to contact
at each. Again, your primary tools for reaching reporters are
the phone and fax machine. (E-mail will certainly be used in
the future, but most local journalists still prefer to receive
information by fax.)
"A call doesn't bother me," says Cooper at the Philadelphia
Inquirer. "It doesn't bother me, either, to be asked what
we'll do with [a story idea]."
Daily Newspapers. There are many different ways to
get covered by large metropolitan dailies. Take advantage of
as many as you can.
News. If you have hard news (e.g., a new report with
statistics, a protest, a response to a national news story),
contact the city desk or a reporter who covers your issue area.
Also call the photo editor, if your organization is up to something
that's visually interesting.
Features. Features are lengthy human interest stories
that aren't necessarily connected to the "news" of
the day. For example, you might see a feature on mushroom hunting,
driving a taxi, or AIDS research. Unlike news stories--which
are usually written on one day and published the next--features
often take a couple weeks or more to develop and write. Contact
the feature page or, preferably, specific feature writers with
your ideas.
Letters-to-the-Editor. Write letters in response to
news stories that affect your work. The letters page is one of
the most widely read sections of the newspaper. Take a moment
to write a 100 word letter, but don't bog down trying to make
it perfect. Just get it done. (Most newspapers now take letters
by e-mail and fax.)
Guest Column. While the pundits whose work appears
in the commentary section may not be read by the masses, you
can be sure that most policy junkies make a point to read them.
You can join them, if you publish a guest column. Such a column--often
called an "op-ed"--gives you the chance to go into
more depth (about 750 words) about your ideas, which often gain
a measure of legitimacy after appearing in the newspaper. To
submit a guest column, run your idea by the op-ed page editor
first. "I like to talk to local people," says John
Allison at the Pittsburgh Post-Gazette. "I can often steer
the person in the most fruitful direction. I can say, 'Don't
do this; do that instead.'"
Local TV News. More people get their news from local
television programs than any other source. That's one reason
why there's intense competition to land stories on these shows.
Another reason is that only a small number of stories can be
aired in the approximately 12 minutes that the average 35-minute
local TV news shows reserve for actual "news." (The
rest is commercials, sports, chit-chat, teasers, and weather.)
To break into the local news your story has to have strong visual
appeal and you have to be persistent. (Yes, you can get covered
even if your story isn't about mayhem!.) Contact the assignment
editors at your local TV stations. In your pitch, emphasize visuals.
News radio. Unfortunately, radio stations across the
country are shutting down their news departments, leaving their
disc jockeys (or "shock jocks") to read news tidbits
and celebrity items from the local paper or from news services.
This means that even large metropolitan areas may have only one
commercial radio station--plus possibly a couple public radio
stations--with staff reporters who might cover your story or
event. Find out which stations have news departments and pitch
your story to the news director or to specific reporters.
Talk radio. Talk radio can be a communications force.
It attracts a devoted band of listeners, many of whom are active
in the community. Identify the shows that make sense for you
and call the producers or, in smaller markets, the host. One
caveat: If you face a cranky host, have an adept spokesperson.
Other local media outlets. Here's a list of other local
news outlets--along with (in parentheses) whom to contact at
each: weekly newspapers (the editor or reporters), magazines
(the editor or freelance writers), TV public affairs programs
or TV talk shows (producers), news services (news editor), pop
radio (disk jockeys). You should keep a list of national news
outlets, too, for that Big Story that will come your way one
day.
Step 6: Start publicizing your cause in the news
The key to getting news coverage of your organization is to
take advantage of the full spectrum of news media outlets in
your community. It's your job to identify, create, or tailor
stories about your organization to suit the different needs of
different journalists.
"People at nonprofit organizations see the news,"
said Elaine Effort, a reporter with KQV radio in Pittsburgh.
"They see what's going on, and they know if a service they
provide relates to it. For example, yesterday there was a big
shooting at a school. Say there's a nonprofit that deals with
grieving children. Here's their chance. Call before the story
is old news."
Put your media list to work today. And don't give up. Just
because you didn't get covered one day doesn't mean you won't
make the news the next. On a slow news day, anything can be news.
Also remember that, over time, your job will get easier as you
develop relationships with journalists in your community.
Portions of this article are drawn from Jason Salzman's
Making the News: A Guide for Nonprofits and Activists (available
at bookstores or by calling Westview Press at 1-800-386-5656)
and from Pennsylvania Grants Guide, a publication of Grants Guides
Plus. contact@causecommunications.com

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